Generally, sketches is only a rough draft, with a few random line sketch general appearance of the object, and decided to picture the result is colour. For using direct painting artist sketches may do the same. For the classical realistic painting artist, sketches are quite important, it is the artist modelling language is all about. Because the Fabian Perez Lettizia painting is the most basic way of artistic expression, is the first step on the artists communicate with nature.
Here we study the young artists ChaoGe sketches of the process, as shown in figure 25.
(1) to draw the first draft of an idea, with a pencil on the paper draw the big picture and characters in general expression, and then control model for painting. Painter in the sketch is given priority to with the perceptual factors, the character's appearance and manner as close as possible to the object.
(2) full body model in the painting process of inner temperament, firmly seize this open has an opportunity to strengthen them. Then, the painter summarized and refined to provide processing, according to the sketch.
(3) in the first two Zhang Sumiao draft on the basis of continuous evolution and language purification for the creation of the third Zhang Sumiao draft. This step stress contour processing, make the shape more plump, character under the action of light and shadow, to produce a FuDiaoGan. At the same time on the content of the local enrichment, draw more sure. Sketches out after that the painter used extremely strict method copies the sketches (grid amplification method) to the canvas.
Sketches since it seems that is a flexible process modelling, it allows even encourage continuous modification and adjustment, all this is in order to determine a clear visual image. In all the threshold of his paintings, there is reason to will also be necessary to spend a lot of time to the sketches.
Up sketches are not necessarily in tune, modifications or alterations can be directly on the canvas with lines, simple colors can also be used to determine the body of the picture color and the color relations. Here are several or tools.
1) carbon. Drew an article and charcoal are suitable for the sketch on the canvas or board. Charcoal of the performance is better, because it marks the lighter, easier to erase, flexible to use. Drew can leave heavy line, contour line relatively clear.
2) the charcoal. Line a finer, more suitable for details.Fabian Perez paintings are not advocating a pencil that can come up from under the canvas color layer pan stamping.
3) the color crayons and. On the canvas with not too much, to avoid the use of white or light color. Excessive use of color in the drawing of the crayons or foundation is unstable.
4) the watercolour and acrylic color. A very thin water not any influence on oil painting color of the cover. If thicker coating, acrylic color.
5) ink. Use of Chinese calligraphy and painting with ink, it is very interesting. Chalk line can be either oil colour cover, can also be retained, it is not easily turpentine wash out.
6) carbon paper. The sketches on the paper copy to the canvas paintings for sale. In the stage of sketches, hair gel, adhesive solution and other fixed fluid is indispensable. For easy to fall off or spray a layer of film color material necessary stationary liquid. In addition, all kinds of rubber, cloth, etc is necessary article.
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